Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Agnolo Bronzino
Portrat des Ugolino Martelli

ID: 87312

Agnolo Bronzino Portrat des Ugolino Martelli
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Agnolo Bronzino Portrat des Ugolino Martelli


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Agnolo Bronzino

Italian Mannerist Painter, 1503-1572 Agnolo di Cosimo (November 17, 1503 ?C November 23,1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. It has been claimed by some that he had dark skin as a symptom of Addison disease, a condition which affects the adrenal glands and often causes excessive pigmentation of the skin.  Related Paintings of Agnolo Bronzino :. | An Allegory with Venus and Cupid | Portrait of Maria de- Medici | Mose strikes water out of the rock fresco in the chapel of the Eleonora of Toledo | Portrat des Bartolomeo Panciatichi | Portrait of Maria de'Medici |
Related Artists:
Grigoriy Ugryumov
painted Alexander Nevsky in Pskov, after they victory over the Germans in 1793.
eric bogislaus skjoldebrand
1873-1888 Swedish Artist.
majestas domini
Christ in Majesty, or Christ in Glory, in Latin Majestas Domini, is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, which directly borrowed the formulae of depictions of the enthroned Roman Emperor. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky.






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